Keram Malicki-Sánchez draws on FIVARS's catalog of about a thousand works over 12 years. Licensing it is hard because of chain of title, rights and missing metadata, and past aggregators failed. He compares location-based models, from Traverse's 50/50 cinema split to venues needing 40,000 visitors a month, and stresses that distribution covers many different formats, from domes to WebXR to spherical streaming.